My artistic practice is rooted in the exploration of corporeality — the body as a material, emotional, and existential structure. I perceive the human form not as an image, but as a living substance that can expand, compress, or dissolve into space.
The body in my works is both mass and breath — a presence that can be felt not only on the surface of the canvas, but beside it, as a full encounter between the viewer and the physical trace of life.
For the past six years, I have been working exclusively within this language of corporeality, no longer returning to earlier subjects. I consider it my true medium — a space where painting becomes anatomy, gesture becomes confession, and form becomes dialogue between what is seen and what is sensed.
My process combines academic precision with the risk of distortion. I often begin with observation, but allow the image to shift toward its own rhythm — where flesh turns into landscape, tension into structure, and presence into silence.
I am not interested in depicting the body, but in allowing it to appear on canvas — honest, heavy, breathing, voluminous — as the viewer’s own reflection.